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Alumni Interview Series
Alumni Interview Series
Melany Wan (Class of 2008) is an Object Conservator at the renowned National Museum for Art, Architecture and Design in Norway, specialising in the conservation of sculptures, picture frames and architectural models.
She has an atypical education background as she earned a bachelor’s degree from HKU with both Earth Sciences and Fine Arts as majors. After working with a gold exploration company with projects in Xinjiang, she decided to pursue postgraduate studies at the University College London and earn two master’s degrees: MA in Principles of Conservation and MSc in Conservation for Archaeology and Museums. This combination of art and science has shaped the foundation of her current role.
What led you to pursue postgraduate studies in the UK after being an exploration geologist?
What led you to pursue postgraduate studies in the UK after being an exploration geologist?
After working as an exploration geologist for a year, I found the experience enjoyable. However, the challenge of being away from home and family for extended periods made me consider a career change.
I initially considered taking a master's degree in metals and energy finance, but I finally decided to pursue art conservation. This field offered a good combination of my previous studies and interests.
Melany Wan, Object Conservator
National Museum for Art, Architecture and Design, Norway
How did your internships in UK museums, which were part of your master’s programmes, contribute to shaping your career in conservation?
How did your internships in UK museums, which were part of your master’s programmes, contribute to shaping your career in conservation?
During my internships, I had the opportunity to examine antiques and artefacts up close, which allowed me to gain a better understanding of exhibition process in the UK and the importance of conservation. These internships not only provided valuable experience that benefit future job applications, but also helped me to identify my interest in conservation.
How does your Earth Sciences background help your work in conservation?
How does your Earth Sciences background help your work in conservation?
Both conservation and Earth Sciences require a fundamental understanding of materials. In conservation, there is a focus on studying the composition and physical and chemical properties of artifacts. We also use similar imaging and analytical technologies, such as ICP-MS, SEM, and optical microscopy.
My Earth Sciences background has equipped me with knowledge on how environmental factors affect the deterioration process of artefacts.
How did your passion for fine arts influence your work in the conservation of antiques and artefacts?
How did your passion for fine arts influence your work in the conservation of antiques and artefacts?
Having a passion for the arts makes my work in conservation more enjoyable. It is common for individuals working in museums to have an appreciation in arts. In my case, studying art history and working in conservation complement each other. As part of our training, we have to conduct research on the history of objects, which I find particularly fulfilling. In addition, I occasionally assist in documenting East Asian artefacts due to the lack of an expert in that specific field at our museum.
What challenges do you encounter in the conservation of antiques and artefacts?
What challenges do you encounter in the conservation of antiques and artefacts?
The process of conservation is highly dependent on individual cases, with various factors affecting the approach to treatment. Conservation requires a decision-making process that is influenced by many factors.
For example, the goal is not solely to make the object aesthetically pleasing, when dealing with archaeological artifacts. It is much important to respect the object's values, including historical, aesthetic, and material significance.
We also often have to collaborate with different stakeholders. For instance, it is important to consider the artist’s input when working with contemporary art. The work environment is also important, whether in a museum or privately for a gallery also affects the treatment approach. Limited resources often hinder in-depth studies, such as material analysis. Hence, informed decisions must be made based on existing knowledge and experience.
Could you share with us the challenges you encountered when searching for a job in Norway after moving there with your husband?
Could you share with us the challenges you encountered when searching for a job in Norway after moving there with your husband?
The Norwegian community typically has a relatively closed social circle. Taking a proactive approach in job application is very important. I often made follow-up calls after submitting my application, which ultimately led to securing interviews. Language was also a challenge, but my willingness to try new things and connect with others helped me navigate the process successfully.
What are your future career goals in conservation? Do you have any specific area or projects you would like to focus?
What are your future career goals in conservation? Do you have any specific area or projects you would like to focus?
I am involved in the conservation of sculptures, picture frames and architectural models. I plan to continue working in these areas, while also taking part in different temporary exhibitions. However, I am always open to new opportunities in different areas of conservation.
Selected conservation projects Melany involved:
Sao Tome and Ladakh:
https://www.zibbygarnett.org/wp-content/uploads/2017/09/ZBGTF-News-Fifth-Editionweb.pdf
The new Norway National Museum:
https://www.nasjonalmuseet.no/en/visit/locations/the-national-museum/the-new-national-museum/
If you come across any interesting alumni stories, please send us an email at hku.easc.aa@gmail.com .
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Edited bv Samuel Ng, Kit Lai and Gavin Chan
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